VerseandChorus.com Presents

HIT THE ROAD

VerseandChorus.com Presents

HIT THE ROAD

METADATA AND LYRICS

Track Title: Hit The Road
Date: January 24, 2026
Lyricist: Kellie Larson
IPI#: 1322821876
Internal Number: #16
Songbay ID#: 235611349
Status: High Hit Probability
A&R Score: 9.1/10   Rating: PG-13

Genre 1: Pop   Genre 2: R&B   Sub: Soul
Mood(s): Confident, Strong, Sassy, Defiant
Feeling(s): Decisive, Empowered, Relieved, Free
Theme(s): Breakup, Moving On, Self-Respect, Boundaries
Pillar: Empowerment Arc
"Don't stop don't look back hit the road jack"
(Why It Works)
This track serves as the ultimate "good riddance" anthem, channeling the decisive energy of a protagonist who has finally exhausted her patience. It works because it bypasses the "sad breakup" phase entirely, landing squarely in the zone of empowered indifference. By referencing the classic "Hit the Road, Jack" motif, it taps into a cultural shorthand for finality, but modernizes it with references to DMs and blocking. The narrative arc moves from the dry tears of the past to the absolute clarity of the present.
(Lyrical Description For A&R)
The lyricist highlights the often-overlooked aspect of a breakup: the relief of the social circle ("my friends never liked you"), validating the protagonist's decision. The imagery is sharp and dismissive, refusing to engage in the "hours" of arguing that defined previous attempts to leave. The bridge acts as a rapid-fire dismissal, dismantling any hope the ex might have of a digital reconciliation by explicitly mentioning the "block." It is a clean break, professionally executed, perfect for scenes of reclaiming independence or the montage of a character finally getting their life back on track.
(About The Songwriter)
Cinematic Songwriter and Lyricist Kellie Larson crafts deeply emotional narratives that resonate with modern audiences. Her work prioritizes intellectual honesty and raw human connection, moving beyond standard tropes to find the "cinematic" in everyday moments. The human-written nature of these songs ensures a level of authenticity that resonates with high-stakes sync licensing.
(AI Disclosure & Licensing)
NOTICE: Lyrics are 100% human-authored by Kellie Larson. Music for this demo was AI-generated via Donna for compositional visualization purposes only. All master rights and publishing are held by the lyricist and are pre-cleared for immediate licensing. No copying without permission.
Date: January 24, 2026 | Lyricist: Kellie Larson | IPI#: 1322821876
(VERSE 1) All those nights you laid in my bed All those times you messed with my head You told me lie after lie And yeah I cried a lot back then but my tears are now dry
(PRE-CHORUS) I'm not gonna yell or spend hours tryna get you out the door I've been that fool so many times before You did me foul you did me wrong so I moved on Time for you to get gone
(CHORUS) Don't stop don't look back Hit the road jack I don't want you back
(VERSE 2) My friends never liked you they all want you gone You did me so dirty boy you did me so wrong I was so blinded so into you I lost myself it's true Thank god you're gone cause they say it's darkest before the dawn
(PRE-CHORUS) I'm not gonna tell you off or spend hours tryna get you out my door I've been that fool so many times before You're shady as hell so I moved on done with being treated so wrong Time to get gone
(CHORUS REPEATS) Don't stop don't look back Hit the road jack I don't want you back I truly don't want you back don't come back
(BRIDGE) Let's get this straight now it's all because of how you treated me And if you're thinking of me and wondering here's my answer You wanna send a dm haha I blocked you on all that stuff You think I still have feelings haha you're out of luck You think I'm missing you haha that ain't true You wanna hear from me hahaha nope we're through
(OUTRO) My friends despise you they're glad you're gone I'm glad you're gone too cause now I can find someone who doesn't treat me wrong I can finally move on Just don't bother to try and hit me up You better think twice cause that door is closed Yeah it's a dead end